Curriculum Vitae
|
| 1918 |
Born on July 22, in Stockholm. |
| 1924 |
After his parents’ divorce, Christer divides his time between
two families. His father is in the armed forces and stationed in
various parts of the country, so the young Christer leads a wandering
life. |
| 1934 |
His father commits suicide after a serious riding accident has
left him with a permanent headache. |
| 1937 |
Moves to Dresden to study art under professor Waldemar Winkler.
They clash about Paul Klee and other forbidden artists from Bauhaus.
Christer soon leaves Dresden, moving to Paris. |
| 1938 |
Seeks out his old teacher, Swedish artist Dick
Beer, visiting him
in Arles. Returns to Sweden to study painting under Otte Sköld
and Isaac Grünewald, in Stockholm. |
| 1939 |
Completes his military service with an antitank regiment. |
| 1940 |
Volunteers to fight the Russians in the Russo-Finnish War. |
| 1940-45 |
Joins a Swedish volunteer corps to fight the Germans in Norway.
Later works for the Norwegian resistance in Stockholm. |
| 1946-56 |
Moves to Paris and enrols at the Arts Academy. Discovers the large-format
camera and realises that the photographic image offers the sort of
possibilities for expression that he has wished for and sought. Does
a series of artist portraits and his own, very individual images.
Also studies at the arts academies of Florence and Faenza, in Italy.
Adopts the nom d’artiste Christer Christian. |
| 1949-54 |
Joins the German Fotoform group for “subjective photography”,
led by Otto Steinert. Participates in exhibitions with other members
of Fotoform, in Europe and America. |
| 1954-64 |
Work theme: Pictures of Death. |
| 1956 |
With Peter Weiss, makes Ansikten i skugga (“Faces in Shadow”),
a 16mm documentary about regulars at beer houses in Stockholm’s
Old Town. Starts teaching photography at Kursverksamheten, the non-departmental
courses programme at Stockholm University. |
| 1956-64 |
Gets to know and photographs transsexuals in the area of Place
Blanche in Paris. Sets down his own principles about the photographic
image, coining terms such as “existing light”, “exposure
moment” and “personal responsibility” regarding
the content and use of his pictures. |
| 1958 |
Buys a house in Fox-Amphoux, in Provence. |
| 1959-63 |
Travels to Spain, Japan, India, America and Africa. |
| 1962-74 |
Director of Fotoskolan in Stockholm. With Tor-Ivan
Odulf, who runs Dokumentärfilmskolan, he trains over 1 200 students.
Many go on to become leading Scandinavian photographers: Anders Petersen,
Dawid, Bille August, Gunnar Smoliansky among others. |
| 1964-74 |
Work theme: Reality. |
| 1974-82 |
Work theme: Private Pictures. |
| 1976-77 |
Makes large-format polaroid pictures with surrealist content. |
| 1982-93 |
Work theme: Signs and Traces. |
| 1984 |
Anders Birkeland makes Till minnet av mig själv (“Myself
in Memoriam”), a documentary about Strömholm. |
| 1990-93 |
His son, Joakim, makes a portrait of him for television, Blunda
och se (“Close your eyes and see”). Swedish television
broadcasts it three times during 1996. |
| 1993 |
The Swedish government makes him professor of photography. |
| 1993-96 |
Work theme: Golgotha. |
| 1993-97 |
Completes his book, Kloka ord (“Wise Words”), a collection
of aphorisms and work notes. |
| 1998 |
Receives the international Hasselblad award for 1997. |
| 1999- 2000 |
Plans and begins the book, I befintligt ljus – ett fotografiskt
testamente (“In existing light – a photographic testament”). |
| 2001 |
Continues work on “In existing light – a photographic testament”). |
| 2002 |
Dies on January 11 after a prolonged period of illness. |